Unique in New Zealand's art history is Phil Dadson's durational performative 12-year visual music project, which he outlines as: "Soundlooking, hearseeing, seehearing lines of sonic shape and form – texture, melody, rhythm, harmonies, polyrhythms conjured from contours, shapes and colours of things observed – is both the essence and impetus behind the twelve year, one month per year, visual-music project I set in motion with January Music in 2014". In an exhibition that reflects on the scale and ambition of this project after 10 years, Dadson's range of performative practice is positioned within a compelling conceptual framework that addresses his long-standing environmental concerns.