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Shahriar Asdollah-Zadeh

b. 1985

  • Biography
  • Overview of Works
  • Selected Press
  • Exhibitions
  • Insights
  • Biography
  • Overview of Works
  • Selected Press
  • Exhibitions
  • Insights

Raised in New Zealand and of Iranian and Filipino descent, Shahriar Asdollah-Zadeh completed his Post Graduate Diploma (Distinction) at the University of Auckland’s Te Waka Tūhura Elam School of Fine Arts in 2010, and has developed a multidisciplinary practice spanning painting, photography, video, installation, performance and sculpture. He is driven by the belief that artists are storytellers, disruptors and creators who shape our culture and enrich our society, and that through art, we gain a deeper understanding of ourselves and the world around us. His work addresses concepts of the human condition and interrogates hybrid and diasporic identities and humanity’s migrations. His current research is focused on dichotomies of place/displacement, diaspora/migration, borders/liminality, experience/memory and the intersections between our collective environments and the transmission of knowledge.

Asdollah-Zadeh’s work has been included in The Shouting Valley (2020 and 2019) at The Physics Room, Christchurch and Gus Fisher Gallery, Auckland respectively; The Hive Hums With Many Minds (2016) at Te Tuhi Centre for the Arts, Auckland; The Screen (2014) at Enjoy Contemporary Art Space, Wellington; Globalising Wall (2012) at Māngere Arts Centre – Ngā Tohu o Uenuku, Auckland; Credo and Quest (2010) at Whangarei Art Museum, Whangarei; Ey! Iran (2009) at Whangarei Art Museum, Whangarei and Stand up (2009) at the University of Fine Arts, Poland. Solo exhibitions include Rainbow Machine (2021) at The Arts House Trust Pah Homestead, Tāmaki Makaurau Auckland;  Spectrums and Rainbow Machine (2020) at Māngere Arts Centre – Ngā Tohu o Uenuku, Auckland; The revolution continued: the metamorphosis of memory (2014) at The Film Archive, Tāmaki Makaurau Auckland; Fear Faith and Persian Pop (2013) at Papakura Art Gallery, Tāmaki Makaurau Auckland and Persepolis (2012) at Snake Pit, Tāmaki Makaurau Auckland.

His large scale sculpture, Rainbow Machine, 2019, continues to be exhibited across Tāmaki Makaurau Auckland locations and has been recognised with multiple national awards, culminating in the Supreme Purple Pin award for ‘Exhibition and Temporary Structure’ from the Designers Institute of New Zealand’s Best Awards, 2019 and the prestigious Gold Tick award for ‘Architecture and Urban Design’ at the Good Design awards in Australia, 2020. Funded by Auckland Council’s Public Art programme and conceived in collaboration with Patrick Loo and Sarosh Mulla, this interactive public work shifts with every engagement to reflect phenomenological perspectives, while its bold form and colour invite us in to playfully perceive and capture the essence of light and its colour spectrum through our physical activation.

Asdollah-Zadeh also produces multifaceted and intricate bodies of work: Spectrums is a study of colour as a fundamental facet of the human condition: deep, saturated colour can evoke memories and emotions. How we have remembered colour throughout our lives will influence how we perceive colour today and in this way, we all see colour a little differently. His ongoing painting series Pale Blue Dot, begun in 2016, references the rich history of geometry, ornamental and architectural design from the Middle East, including the polygonal patterns reminiscent of the 11th to 16th century patterns found in the Topkapi Scroll. The paintings are also an exploration of “…the fragility of nations, borders, global migration, the transmission of knowledge and the environment seen from afar…[they] relate to the overview effect, a cognitive shift in awareness that has been reported by astronauts during spaceflight while viewing Earth from outer space. Seeing the Earth as a pale blue dot hanging in a void, prompts people to think of it as something that needs protecting”.

Shahriar Asdollah-Zadeh lives and works in Tāmaki Makaurau Auckland, Aotearoa New Zealand.

Download full CV

Photograph by Anna Starr
  • Rainbow Machine
    Rainbow Machine, 2019

    Detail view

    Shahriar Asdollah-Zadeh, Patrick Loo, Sarosh Mulla

    Sunlight, glass prisms, mirrors, steel, mechanical controls, paint

    Interactive public sculpture installed at Silo Park, Wynyard Quarter

    Auckland Council Art Collection

    Rainbow Machine
    Rainbow Machine, 2019

    Detail view

    Shahriar Asdollah-Zadeh, Patrick Loo, Sarosh Mulla

    Sunlight, glass prisms, mirrors, steel, mechanical controls, paint

    Interactive public sculpture installed at Silo Park, Wynyard Quarter

    Auckland Council Art Collection

  • Rainbow Machine
    Rainbow Machine, 2019

    Detail view

    Shahriar Asdollah-Zadeh, Patrick Loo, Sarosh Mulla

    Sunlight, glass prisms, mirrors, steel, mechanical controls, paint

    Interactive public sculpture installed at Silo Park, Wynyard Quarter

    Auckland Council Art Collection

    Rainbow Machine
    Rainbow Machine, 2019

    Detail view

    Shahriar Asdollah-Zadeh, Patrick Loo, Sarosh Mulla

    Sunlight, glass prisms, mirrors, steel, mechanical controls, paint

    Interactive public sculpture installed at Silo Park, Wynyard Quarter

    Auckland Council Art Collection

  • Rainbow Machine
    Rainbow Machine , 2019

    Installation view

    Interactive public sculpture installed at Māngere Arts Centre — Ngā Tohu o Uenuku, Auckland, NZ

    Shahriar Asdollah-Zadeh, Patrick Loo, Sarosh Mulla

    Sunlight, glass prisms, mirrors, steel, mechanical controls, paint

    Photographed by David St George

    Rainbow Machine
    Rainbow Machine , 2019

    Installation view

    Interactive public sculpture installed at Māngere Arts Centre — Ngā Tohu o Uenuku, Auckland, NZ

    Shahriar Asdollah-Zadeh, Patrick Loo, Sarosh Mulla

    Sunlight, glass prisms, mirrors, steel, mechanical controls, paint

    Photographed by David St George

  • detail, Reds — colour studies I
    detail, Reds — colour studies I, 2020

    Pigment inks printed on 320 gsm Ilford fibre gloss paper 

    420 x 594mm

    Spectrums is an ongoing series created in collaboration with artist Shahriar Asdollah-Zadeh, architectural designers Sarosh Mulla and Patrick Loo

     

    detail, Reds — colour studies I
    detail, Reds — colour studies I, 2020

    Pigment inks printed on 320 gsm Ilford fibre gloss paper 

    420 x 594mm

    Spectrums is an ongoing series created in collaboration with artist Shahriar Asdollah-Zadeh, architectural designers Sarosh Mulla and Patrick Loo

     

  • Spectrums
    Spectrums, 2020

    Installation view

    Māngere Art Centre Ngā Tohu o Uenuku, Auckland, NZ

    Spectrums is an ongoing series created in collaboration with artist Shahriar Asdollah-Zadeh, architectural designers Sarosh Mulla and Patrick Loo

    Photographed by David St George

    Spectrums
    Spectrums, 2020

    Installation view

    Māngere Art Centre Ngā Tohu o Uenuku, Auckland, NZ

    Spectrums is an ongoing series created in collaboration with artist Shahriar Asdollah-Zadeh, architectural designers Sarosh Mulla and Patrick Loo

    Photographed by David St George

  • Spectrums
    Spectrums , 2020

    Installation view

    Māngere Art Centre Ngā Tohu o Uenuku, Auckland, NZ

    Spectrums is an ongoing series created in collaboration with artist Shahriar Asdollah-Zadeh, architectural designers Sarosh Mulla and Patrick Loo

    Photographed by David St George

    Spectrums
    Spectrums , 2020

    Installation view

    Māngere Art Centre Ngā Tohu o Uenuku, Auckland, NZ

    Spectrums is an ongoing series created in collaboration with artist Shahriar Asdollah-Zadeh, architectural designers Sarosh Mulla and Patrick Loo

    Photographed by David St George

  • The Metamorphosis of Memory
    The Metamorphosis of Memory, 2011 - 2013

    Installation view

    Snake Pit, Auckland, NZ

    L.E.D Kebab shop sign, fluerescent lights, Persian rug

    The Metamorphosis of Memory
    The Metamorphosis of Memory, 2011 - 2013

    Installation view

    Snake Pit, Auckland, NZ

    L.E.D Kebab shop sign, fluerescent lights, Persian rug

  • detail, Blue to Green — colour studies I
    detail, Blue to Green — colour studies I, 2020

    Pigment inks printed on 320 gsm Ilford fibre gloss paper

    420 x 594mm

    Spectrums is an ongoing series created in collaboration with artist Shahriar Asdollah-Zadeh, architectural designers Sarosh Mulla and Patrick Loo

     

    detail, Blue to Green — colour studies I
    detail, Blue to Green — colour studies I, 2020

    Pigment inks printed on 320 gsm Ilford fibre gloss paper

    420 x 594mm

    Spectrums is an ongoing series created in collaboration with artist Shahriar Asdollah-Zadeh, architectural designers Sarosh Mulla and Patrick Loo

     

  • Pale Blue Dot, No. 3
    Pale Blue Dot, No. 3, 2021

    Acrylic on Hahnemuhle Britannia 300gsm acid free watercolour paper 

    420 x 297mm

    Pale Blue Dot, No. 3
    Pale Blue Dot, No. 3, 2021

    Acrylic on Hahnemuhle Britannia 300gsm acid free watercolour paper 

    420 x 297mm

  • Fear Performance: The Myth of Sisyphus
    Fear Performance: The Myth of Sisyphus, 2013

    Installation view

    Papakura Art Gallery, Auckland, NZ

    Fear Performance: The Myth of Sisyphus
    Fear Performance: The Myth of Sisyphus, 2013

    Installation view

    Papakura Art Gallery, Auckland, NZ

  • The Metamorphosis of Memory
    The Metamorphosis of Memory, 2011 - 2013

    Detail view

    Single channel video: musical santoor instrument and football stadium anthem

    4 minutes

    L.E.D. Kebab shop sign, plaster, silver paint

    The Metamorphosis of Memory
    The Metamorphosis of Memory, 2011 - 2013

    Detail view

    Single channel video: musical santoor instrument and football stadium anthem

    4 minutes

    L.E.D. Kebab shop sign, plaster, silver paint

  • FAITH
    FAITH, 2011

    Neon-light and acrylic

    1200 x 340 x 210mm

    FAITH
    FAITH, 2011

    Neon-light and acrylic

    1200 x 340 x 210mm

  • Faith and Through the Looking Glass Diptych
    Faith and Through the Looking Glass Diptych, 2021

    Pigment inks printed on 310gsm Ilford Galerie Smooth Pearl paper

    420 x 594mm each image

    Anna Starr in collaboration with Shahriar Asdollah-Zadeh

    Faith and Through the Looking Glass Diptych
    Faith and Through the Looking Glass Diptych, 2021

    Pigment inks printed on 310gsm Ilford Galerie Smooth Pearl paper

    420 x 594mm each image

    Anna Starr in collaboration with Shahriar Asdollah-Zadeh

  • Fear Performance: The Myth of Sisyphus
    Fear Performance: The Myth of Sisyphus, 2013

    Detail view

    Single channel video projection of documented performance work

    9 minutes 10 seconds

    Polystyrene, nylon, plywood

    3000 x 400 x 800mm

    Fear Performance: The Myth of Sisyphus
    Fear Performance: The Myth of Sisyphus, 2013

    Detail view

    Single channel video projection of documented performance work

    9 minutes 10 seconds

    Polystyrene, nylon, plywood

    3000 x 400 x 800mm

  • Pale Blue Dot
    Pale Blue Dot , 2019

    Installation view

    Gus Fisher Gallery, Auckland, NZ

    Photographed by Sam Hartnett, image courtesy of Gus Fisher Gallery

    Pale Blue Dot
    Pale Blue Dot , 2019

    Installation view

    Gus Fisher Gallery, Auckland, NZ

    Photographed by Sam Hartnett, image courtesy of Gus Fisher Gallery

  • Pale Blue Dot, No.3
    Pale Blue Dot, No.3, 2016

    Acrylic, pen and ink on paper

    210 x 297mm

    Photographed by Sam Hartnett, image courtesy of Te Tuhi Centre for the Arts

    Pale Blue Dot, No.3
    Pale Blue Dot, No.3, 2016

    Acrylic, pen and ink on paper

    210 x 297mm

    Photographed by Sam Hartnett, image courtesy of Te Tuhi Centre for the Arts

  • The Metamorphosis of Memory
    The Metamorphosis of Memory, 2011 - 2013

    Installation view

    Fear, Faith and Persian Pop, Papakura Art Gallery, Auckland, NZ

    The Metamorphosis of Memory
    The Metamorphosis of Memory, 2011 - 2013

    Installation view

    Fear, Faith and Persian Pop, Papakura Art Gallery, Auckland, NZ

  • Spectrums
    Spectrums , 2020

    Installation view

    Māngere Art Centre Ngā Tohu o Uenuku, Auckland, NZ

    Spectrums is an ongoing series created in collaboration with artist Shahriar Asdollah-Zadeh, architectural designers Sarosh Mulla and Patrick Loo

    Photographed by David St George

    Spectrums
    Spectrums , 2020

    Installation view

    Māngere Art Centre Ngā Tohu o Uenuku, Auckland, NZ

    Spectrums is an ongoing series created in collaboration with artist Shahriar Asdollah-Zadeh, architectural designers Sarosh Mulla and Patrick Loo

    Photographed by David St George

  • Pale Blue Dot, No. 2
    Pale Blue Dot, No. 2, 2021

    Acrylic on Hahnemuhle Britannia 300gsm acid free watercolour paper

    420 x 297mm

    Pale Blue Dot, No. 2
    Pale Blue Dot, No. 2, 2021

    Acrylic on Hahnemuhle Britannia 300gsm acid free watercolour paper

    420 x 297mm

  • detail, Full Spectrums — colour studies II
    detail, Full Spectrums — colour studies II, 2020

    Pigment inks printed on 320gsm Ilford fibre gloss paper

    420 x 594mm

    Spectrums is an ongoing series created in collaboration with artist Shahriar Asdollah-Zadeh, architectural designers Sarosh Mulla and Patrick Loo

     

    detail, Full Spectrums — colour studies II
    detail, Full Spectrums — colour studies II, 2020

    Pigment inks printed on 320gsm Ilford fibre gloss paper

    420 x 594mm

    Spectrums is an ongoing series created in collaboration with artist Shahriar Asdollah-Zadeh, architectural designers Sarosh Mulla and Patrick Loo

     

  • Pale Blue Dot
    Pale Blue Dot, 2016

    Installation view

    Te Tuhi Centre for the Arts, Auckland, NZ

    Photographed by Sam Hartnett, image courtesy of Te Tuhi Centre for the Arts

     

    Pale Blue Dot
    Pale Blue Dot, 2016

    Installation view

    Te Tuhi Centre for the Arts, Auckland, NZ

    Photographed by Sam Hartnett, image courtesy of Te Tuhi Centre for the Arts

     

  • Michael Jackson Motorcade
    Michael Jackson Motorcade, 2014

    Installation view

    Enjoy Contemporary Art Space, Wellington, NZ

    Michael Jackson Motorcade
    Michael Jackson Motorcade, 2014

    Installation view

    Enjoy Contemporary Art Space, Wellington, NZ

  • Fear Performance: The Myth of Sisyphus
    Fear Performance: The Myth of Sisyphus, 2013

    Single channel video projection of documented performance work

    9 minutes 10 seconds

    Polystyrene, nylon, plywood

    3000 x 400 x 800mm

     

    Fear Performance: The Myth of Sisyphus
    Fear Performance: The Myth of Sisyphus, 2013

    Single channel video projection of documented performance work

    9 minutes 10 seconds

    Polystyrene, nylon, plywood

    3000 x 400 x 800mm

     

  • Michael Jackson Motorcade
    Michael Jackson Motorcade, 2014

    Single channel video compilation of news footage and citizen-filmed video taken from YouTube played on a collection of recycled televisions

    6 minutes 7 seconds

    Michael Jackson Motorcade
    Michael Jackson Motorcade, 2014

    Single channel video compilation of news footage and citizen-filmed video taken from YouTube played on a collection of recycled televisions

    6 minutes 7 seconds

  • Pale Blue Dot, No. 9
    Pale Blue Dot, No. 9, 2019

    Acrylic, pen and ink on paper

    297 x 420mm

    Photographed by Sam Hartnett, image courtesy of Gus Fisher Gallery 

    Pale Blue Dot, No. 9
    Pale Blue Dot, No. 9, 2019

    Acrylic, pen and ink on paper

    297 x 420mm

    Photographed by Sam Hartnett, image courtesy of Gus Fisher Gallery 

  • detail, Full Spectrums — colour studies II
    detail, Full Spectrums — colour studies II, 2020

    Pigment inks printed on 320gsm Ilford fibre gloss paper

    420 x 594mm

    Spectrums is an ongoing series created in collaboration with artist Shahriar Asdollah-Zadeh, architectural designers Sarosh Mulla and Patrick Loo

     

    detail, Full Spectrums — colour studies II
    detail, Full Spectrums — colour studies II, 2020

    Pigment inks printed on 320gsm Ilford fibre gloss paper

    420 x 594mm

    Spectrums is an ongoing series created in collaboration with artist Shahriar Asdollah-Zadeh, architectural designers Sarosh Mulla and Patrick Loo

     

  • Pale Blue Dot, No. 1
    Pale Blue Dot, No. 1, 2021

    Acrylic on Hahnemuhle Britannia 300gsm acid free watercolour paper

    420 x 297mm

    Pale Blue Dot, No. 1
    Pale Blue Dot, No. 1, 2021

    Acrylic on Hahnemuhle Britannia 300gsm acid free watercolour paper

    420 x 297mm

  • detail, Violet to Magenta — colour studies I
    detail, Violet to Magenta — colour studies I , 2020

    Pigment inks printed on 320gsm Ilford fibre gloss paper

    420 x 594mm

    Spectrums is an ongoing series created in collaboration with artist Shahriar Asdollah-Zadeh, architectural designers Sarosh Mulla and Patrick Loo

     

    detail, Violet to Magenta — colour studies I
    detail, Violet to Magenta — colour studies I , 2020

    Pigment inks printed on 320gsm Ilford fibre gloss paper

    420 x 594mm

    Spectrums is an ongoing series created in collaboration with artist Shahriar Asdollah-Zadeh, architectural designers Sarosh Mulla and Patrick Loo

     

  • Shahriar Asdollah-Zadeh, Patrick Loo, Sarosh Mulla: Rainbow Machine
    Shahriar Asdollah-Zadeh, Patrick Loo, Sarosh Mulla: Rainbow Machine

    The Designers Institute New Zealand, Mike Barrett interviews the artists 

    2020

     

    View article online


  • Let there be light: Rainbow Machine wins gold
    Let there be light: Rainbow Machine wins gold

    University of Auckland online editorial, by Margo White

    15 September, 2020

     

    View article online


  • 'The Shouting Valley: Interrogating the Borders Between Us' by Lisa Beauchamp
    'The Shouting Valley: Interrogating the Borders Between Us' by Lisa Beauchamp

    Exhibition text for 'The Shouting Valley: Interrogating the Borders Between Us' curated by Lisa Beauchamp at Gus Fisher Gallery, Auckland and The Physics Room, Christchurch

    2020


    Download PDF
  • The Shouting Valley: a politically charged show about lives caught between borders
    The Shouting Valley: a politically charged show about lives caught between borders

    The Spinoff, review by Lana Lopesi

    23 October, 2019

     

    View article online


  • Pale Blue Dot
    Pale Blue Dot

    Excerpts from a conversation between artist Shahriar Asdollah-Zadeh and NASA aerospace engineer, George

    2016


    Download PDF
  • 'Passionate Instincts: A Year of Conscious Practice' by Andrea Bell
    'Passionate Instincts: A Year of Conscious Practice' by Andrea Bell

    Exhibition text for 'Passionate Instincts: A Year of Conscious Practice' curated by Henry Davidson, Amelia Hitchcock, Emma Ng and Ted Whitaker at The Physics Room, Christchurch

    2016

     

    View text online


  • 'The Hive Hums With Many Minds' by Bruce E. Phillips
    'The Hive Hums With Many Minds' by Bruce E. Phillips

    Exhibition text for 'The Hive Hums With Many Minds' curated by Bruce E. Phillips at Te Tuhi Centre for the Arts

    2016


    Download PDF
  • 'Other People's Problems' by Emma Ng
    'Other People's Problems' by Emma Ng

    Exhibition text for 'The Screen' curated by Emma Ng at Enjoy Public Art Gallery, Wellington

    2014

     

    View text online


  • More from The Globalising Wall
    More from The Globalising Wall

    Eyecontact, review by John Hurrell

    18 December, 2012

     

    View article online


  • Radio New Zealand: Shahriar Asdollah-Zadeh's Rainbow Machine

    Radio New Zealand's Lynn Freeman interviews artist Shahriar Asdollah-Zadeh and collaborators Patrick Loo and Sarosh Mulla on their award winning interactive public sculpture for The Weekend podcast

    January, 2020


    Listen online →
  • Director of the Physics Room, Jamie Hanton in conversation with Shahriar Asdollah-Zadeh

    Shahriar Asdollah-Zadeh discusses his project Pale Blue Dot alongside his wider art practice and themes of research on the Art Not Science podcast.

    2020


    Listen online →
  • CIRCUIT: Shahriar Asdollah-Zadeh's Fear Performance: The Myth of Sisyphus

    Asdollah-Zadeh has picked up and adapted the legacy of Camus to comment on current social issues, arising through economic crisis, rising unemployment and low wages through durational labour on the sand dunes of Te Henga.

    October, 2013


    Watch online →
  • SHAHRIAR ASDOLLAH-ZADEH | Light Dot Colour
    May 21 — Jun 26, 2021
    SHAHRIAR ASDOLLAH-ZADEH | Light Dot Colour
    Explore more →

 

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