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Jennifer French

b. 1961

  • Biography
  • Overview of Works
  • Selected Press
  • Exhibitions
  • Biography
  • Overview of Works
  • Selected Press
  • Exhibitions

New Zealand photographer Jennifer French has succeeded, perhaps unusually, in practising her medium on both sides of the art and commercial divide, by strict separation of the two strands. Graduating BFA from the University of Auckland’s Elam School of Fine Arts in 1987, and later MFA from Melbourne’s RMIT in 2000, French has carved a niche for herself as New Zealand’s leading specialist photographer of art, documenting New Zealand projects in Venice Biennales and as Gallery Photographer at Auckland Art Gallery Toi o Tamaki, together with her art practice of sporadic production of discrete bodies of work.

Fluid ideas of time, its circularity and duration, and intuitive resonances of location or situation, and the nature of perception informed by such thinking, underpin her work. So, not so much Cartier-Bresson’s ‘decisive moment’ – a crisp excerpt from time’s flow. For her, ‘Photography, in the creation of the image, is an effect performed upon the object, by a photographer. It is a caress. It is a personal testament, a set of subjective mysteries. A use of image as metaphor for the act of looking.’

At the same time, French considers the photographic image as technologically arbitrary – a framing, a set of tonalities and colour, created by an optical system. In seeking to escape the frame, or utilise its fiction, French’s quiet meditations catch ‘things that could escape back into the ether with no one the wiser, if someone wasn’t there to arrest them.’

French has exhibited widely throughout New Zealand, including ‘Darkness & Light: Looking at the Landscape’ at Auckland Art Gallery Toi o Tāmaki (2000), and ‘A walk in the black forest’ at SHOW in Wellington in 2005. She was awarded the Möet & Chandon Fellowship and Residency in France in 1995, and graduated with an MFA in 2000 from RMIT, Melbourne, Australia.

French lives and works in Tāmaki Makaurau Auckland, Aotearoa New Zealand.

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  • 'lied' from Dream City
    'lied' from Dream City, 2004

    Archival pigment print on Hahnemuhle Photo Rag paper

    'lied' from Dream City
    'lied' from Dream City, 2004

    Archival pigment print on Hahnemuhle Photo Rag paper

  • ‘the tower’ from Dream City
    ‘the tower’ from Dream City, 2004

    Archival pigment print on Hahnemuhle Photo Rag paper

    ‘the tower’ from Dream City
    ‘the tower’ from Dream City, 2004

    Archival pigment print on Hahnemuhle Photo Rag paper

  • Edmiston Wing, Mackelvie Gallery, Auckland Art Gallery
    Edmiston Wing, Mackelvie Gallery, Auckland Art Gallery, 2008/2014

    Archival pigment print on Hahnemuhle Photo Rag Paper

    Edmiston Wing, Mackelvie Gallery, Auckland Art Gallery
    Edmiston Wing, Mackelvie Gallery, Auckland Art Gallery, 2008/2014

    Archival pigment print on Hahnemuhle Photo Rag Paper

  • ' “In order to build a solid aspiration for liberation from the cycle of existence, we must thoroughly examine our condition.
    ' “In order to build a solid aspiration for liberation from the cycle of existence, we must thoroughly examine our condition." The Dalai Lama, 1994' (Detail 5), 1996/2014

    Archival pigment print on Hahnemuhle Photo Rag Paper

    700 x 1000 mm

     

    ' “In order to build a solid aspiration for liberation from the cycle of existence, we must thoroughly examine our condition.
    ' “In order to build a solid aspiration for liberation from the cycle of existence, we must thoroughly examine our condition." The Dalai Lama, 1994' (Detail 5), 1996/2014

    Archival pigment print on Hahnemuhle Photo Rag Paper

    700 x 1000 mm

     

  •  Tawera 1935 slightly northwest of Tiritiri Matangi  1935 - 2002
    Tawera 1935 slightly northwest of Tiritiri Matangi 1935 - 2002, 2002

    Archival pigment print on Hahnemuhle Photo Rag paper

     Tawera 1935 slightly northwest of Tiritiri Matangi  1935 - 2002
    Tawera 1935 slightly northwest of Tiritiri Matangi 1935 - 2002, 2002

    Archival pigment print on Hahnemuhle Photo Rag paper

  • ‘performance documentation’ from ‘The Artists’ Files’ pagework in Reading Room
    ‘performance documentation’ from ‘The Artists’ Files’ pagework in Reading Room, 2007
    ‘performance documentation’ from ‘The Artists’ Files’ pagework in Reading Room
    ‘performance documentation’ from ‘The Artists’ Files’ pagework in Reading Room, 2007
  • A walk in the black forest version 2 (D1) at SHOW project space
    A walk in the black forest version 2 (D1) at SHOW project space, 2005

    Archival pigment print on Hahnemuhle Photo Rag paper

    A walk in the black forest version 2 (D1) at SHOW project space
    A walk in the black forest version 2 (D1) at SHOW project space, 2005

    Archival pigment print on Hahnemuhle Photo Rag paper

  • Edmiston Wing, East Gallery, Auckland Art Gallery
    Edmiston Wing, East Gallery, Auckland Art Gallery, 2008/2014

    Archival pigment print on Hahnemuhle Photo Rag paper

    Edmiston Wing, East Gallery, Auckland Art Gallery
    Edmiston Wing, East Gallery, Auckland Art Gallery, 2008/2014

    Archival pigment print on Hahnemuhle Photo Rag paper

  • A walk in the black forest version 1
    A walk in the black forest version 1, 1997

    Dyesub digital print

    A walk in the black forest version 1
    A walk in the black forest version 1, 1997

    Dyesub digital print

  •  “In order to build a solid aspiration for liberation from the cycle of existence, we must thoroughly examine our condition.
    “In order to build a solid aspiration for liberation from the cycle of existence, we must thoroughly examine our condition." The Dalai Lama, 1994' (Detail 8), 1996-2014

    Archival pigment print on Hahnemuhle paper

    700 x 1000 mm

     “In order to build a solid aspiration for liberation from the cycle of existence, we must thoroughly examine our condition.
    “In order to build a solid aspiration for liberation from the cycle of existence, we must thoroughly examine our condition." The Dalai Lama, 1994' (Detail 8), 1996-2014

    Archival pigment print on Hahnemuhle paper

    700 x 1000 mm

  • ' “In order to build a solid aspiration for liberation from the cycle of existence, we must thoroughly examine our condition.
    ' “In order to build a solid aspiration for liberation from the cycle of existence, we must thoroughly examine our condition." The Dalai Lama, 1994' (Detail 1), 1996/2014

    Archival pigment print on Hahnemuhle Photo Rag Paper

    700 x 1000 mm

     

    ' “In order to build a solid aspiration for liberation from the cycle of existence, we must thoroughly examine our condition.
    ' “In order to build a solid aspiration for liberation from the cycle of existence, we must thoroughly examine our condition." The Dalai Lama, 1994' (Detail 1), 1996/2014

    Archival pigment print on Hahnemuhle Photo Rag Paper

    700 x 1000 mm

     

  • Edmiston Wing, East Gallery (side wall), Auckland Art Gallery
    Edmiston Wing, East Gallery (side wall), Auckland Art Gallery, 2008/2014

    Archival pigment print on Hahnemuhle Photo Rag paper

    Edmiston Wing, East Gallery (side wall), Auckland Art Gallery
    Edmiston Wing, East Gallery (side wall), Auckland Art Gallery, 2008/2014

    Archival pigment print on Hahnemuhle Photo Rag paper

  • ‘photographs 4’ from ‘The Artists’ Files’ pagework in Reading Room
    ‘photographs 4’ from ‘The Artists’ Files’ pagework in Reading Room, 2007
    ‘photographs 4’ from ‘The Artists’ Files’ pagework in Reading Room
    ‘photographs 4’ from ‘The Artists’ Files’ pagework in Reading Room, 2007
  • ‘trial’ from Dream City
    ‘trial’ from Dream City , 2004

    Archival pigment print on Hahnemuhle Photo Rag paper

    ‘trial’ from Dream City
    ‘trial’ from Dream City , 2004

    Archival pigment print on Hahnemuhle Photo Rag paper

  • '
    ' "In order to build a solid aspiration for liberation from the cycle of existence, we must thoroughly examine our condition" - The Dalai Lama, 1994' (Detail 6), 1996/2014

    Archival pigment print on Hahnemuhle Photo Rag Paper

    700 x 1000 mm

     

    '
    ' "In order to build a solid aspiration for liberation from the cycle of existence, we must thoroughly examine our condition" - The Dalai Lama, 1994' (Detail 6), 1996/2014

    Archival pigment print on Hahnemuhle Photo Rag Paper

    700 x 1000 mm

     

  • Forty bastards II
    Forty bastards II, 2002

    Archival pigment print on Hahnemuhle Photo Rag paper

    Forty bastards II
    Forty bastards II, 2002

    Archival pigment print on Hahnemuhle Photo Rag paper

  • '
    ' "In order to build a solid aspiration for liberation from the cycle of existence we must thoroughly examine our condition" The Dalai Lama, 1994' (Detail 2), 1996/2014

    Archival pigment print on Hahnemuhle Photo Rag Paper

    700 x 1000 mm

    '
    ' "In order to build a solid aspiration for liberation from the cycle of existence we must thoroughly examine our condition" The Dalai Lama, 1994' (Detail 2), 1996/2014

    Archival pigment print on Hahnemuhle Photo Rag Paper

    700 x 1000 mm

  • Performance documentation [Metamkine]
    Performance documentation [Metamkine], 2007
    Performance documentation [Metamkine]
    Performance documentation [Metamkine], 2007
  • Traumstadt
    Traumstadt, 2004

    Archival pigment print

    Traumstadt
    Traumstadt, 2004

    Archival pigment print

  • Performance documentation [Chris Watson] for the Audio Foundation
    Performance documentation [Chris Watson] for the Audio Foundation, 2009
    Performance documentation [Chris Watson] for the Audio Foundation
    Performance documentation [Chris Watson] for the Audio Foundation, 2009
  • Forty bastards VII
    Forty bastards VII, 2002

    Archival pigment print on Hahnemuhle Photo Rag paper

    Forty bastards VII
    Forty bastards VII, 2002

    Archival pigment print on Hahnemuhle Photo Rag paper

  • A walk in the black forest [III] at SHOW project space
    A walk in the black forest [III] at SHOW project space, 2005

    Archival pigment print on Hahnemuhle Photo Rag paper

    A walk in the black forest [III] at SHOW project space
    A walk in the black forest [III] at SHOW project space, 2005

    Archival pigment print on Hahnemuhle Photo Rag paper

  • Darkness & Light
    Darkness & Light, 2002

    Installation view, Auckland Art Gallery Toi o Tāmaki

    Darkness & Light
    Darkness & Light, 2002

    Installation view, Auckland Art Gallery Toi o Tāmaki

  • Performance documentation
    Performance documentation, 2008
    Performance documentation
    Performance documentation, 2008
  • Qualia [27-05-07 01-41-43]
    Qualia [27-05-07 01-41-43], 2007/2009

    Archival pigment print on Hahnemuhle Photo Rag paper

    Qualia [27-05-07 01-41-43]
    Qualia [27-05-07 01-41-43], 2007/2009

    Archival pigment print on Hahnemuhle Photo Rag paper

  • ‘photographs 3’ from ‘The Artists’ Files’ pagework in Reading Room
    ‘photographs 3’ from ‘The Artists’ Files’ pagework in Reading Room, 2007
    ‘photographs 3’ from ‘The Artists’ Files’ pagework in Reading Room
    ‘photographs 3’ from ‘The Artists’ Files’ pagework in Reading Room, 2007
  • 'scheme’ from Dream City
    'scheme’ from Dream City, 2004

    Archival pigment print on Hahnemuhle Photo Rag paper

    'scheme’ from Dream City
    'scheme’ from Dream City, 2004

    Archival pigment print on Hahnemuhle Photo Rag paper

  • A walk in the black forest [II]
    A walk in the black forest [II], 2005

    Installation view

    SHOW project space, Wellington NZ

    A walk in the black forest [II]
    A walk in the black forest [II], 2005

    Installation view

    SHOW project space, Wellington NZ

  • A Walk in the Black Forest  Jennifer French
    A Walk in the Black Forest Jennifer French

    SHOW 2009, editors Jenny Gillam / Eugene Hansen

    Wellington NZ


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  • Romanticist and Symbolist Tendencies in Recent New Zealand Photography
    Romanticist and Symbolist Tendencies in Recent New Zealand Photography

    Art New Zealand 64, essay by Allan Smith

    Spring 1992

     

    Enquire at Art New Zealand


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  • JENNIFER FRENCH | Duplex
    July 30 — August 29, 2014
    JENNIFER FRENCH | Duplex

    Solo exhibition

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  • P_R_O_C_E_S_S_
    November 16 — December 21, 2018
    P_R_O_C_E_S_S_

    Galia Amsel | Stephen Bambury | Stella Brennan | Phil Dadson | John Edgar | Jennifer French | Brendon Leung | Anthony McCall | Kazu Nakagawa

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  • An Architecture of Things
    April 4 — April 22, 2017
    An Architecture of Things

    Stephen Bambury | Los Carpinteros | Jennifer French | Anthony McCall | Kazu Nakagawa | Marie Shannon | Chris Corson-Scott

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  • Dec 13 — Jan 28, 2016
    "taking stock"

    Stephen Bambury | Ann Shelton | Phil Dadson | Anthony McCall | Kazu Nakagawa | Galia Amsel | Chris-Corson Scott | John Edgar | Marie Shannon | Vincent Ward | Heather Straka | Jennifer French

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  • TRUTH + FICTION
    May 20 — June 20, 2015
    TRUTH + FICTION

    Roger Ballen / Stella Brennan / Chris Corson-Scott / Jennifer French / Michael Ghent / Alan Miller / Marie Shannon / Ann Shelton / Vincent Ward / Christine Webster

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